Transitions of Genre in the Long Restoration Period: From Romance to Novel. Introduction
DOI:
https://doi.org/10.14198/raei.33491Keywords:
English prose fiction, Restoration literature, Romance-to-novel transition, Literary genres, Seventeenth-century English literatureAbstract
The selection proposed in this special issue aims at offering a representative variety of approaches to the intricacies of genre in what we have referred to as “the long Restoration period,” which in practical terms starts slightly before the emblematic date of 1660 and ends in the early years of the eighteenth century. The eight articles this volume comprises are arranged both chronologically and thematically, advancing from studies about the form, function and scope of romance to the various shapes that “novels” and other related prose forms adopt in the period, while also accounting for European influences, mostly from the French and Spanish traditions.
References
Bayer, Gerd. 2016. Novel Horizons: The Genre Making of Restoration Fiction. Manchester: Manchester UP. https://doi.org/10.7765/9781526100481
Black, Scott. 2019. Without the Novel: Romance and the History of Prose Fiction. Charlottesville: U of Virginia P. https://doi.org/10.2307/j.ctvkrkkcd
Colie, Rosalie L. 1973. The Resources of Kind: Genre-Theory in the Renaissance. Berkeley: U of California P. https://doi.org/10.1525/9780520334588
Glomski, Jacqueline. 2023. “Romance and the Mirror of Princes.” Humanistica Lovaniensia 72: 307-322.
Greene, Robert. 1584. Arbasto. The Anatomie of Fortune. Imprinted at London, in Fleete-streate, beneath the Conduite, at the signe of S. Iohn Evangelist, by H. Iackson.
Jameson, Fredric. 2013. The Antinomies of Realism. London: Verso.
Lyly, John. 1580. Euphues and His England. Imprinted at London for Gabriell Cawood, dwelling in Paules Church-yard.
McKeon, Michael. 1987. The Origins of the English Novel, 1600-1740. Baltimore: The Johns Hopkins UP.
Miller, Naomi J. 1996. Changing the Subject: Mary Wroth and Figurations of Gender in Early Modern England. Lexington, Kentucky: The UP of Kentucky.
Monterrey, Tomás. 2022. “Experiments with the Romance Form and the Receding Baroque: Aretina, The English Lovers, and Eliana.” Restoration 46-47 (1-2): 29-46. https://doi.org/10.1353/rst.2022.0009
Monterrey, Tomás. 2023. “Dramaturgy and the Plausible Wonder in Restoration Fiction, 1660-1670.” Revista Alicantina de Estudios Ingleses 38: 113-130. https://doi.org/10.14198/raei.2023.38.07
Orr, Leah. 2011. “Genre Labels on the Title Pages of English Fiction, 1660-1800.” PQ 90 (1): 67‒95.
Orr, Leah. 2017. Novel Ventures: Fiction and Print Culture in England, 1690-1730. Charlottesville: U of Virginia P.
Paige, Nicholas D. 2020. Technologies of the Novel: Quantitative Data and the Evolution of Literary Systems. Cambridge: Cambridge UP. https://doi.org/10.1017/9781108890861
Paige, Nicholas D. 2021. “The Evolution of the Novel System in the Long Seventeenth Century.” In Watt 2021, 71-94. Cambridge: Cambridge UP. https://doi.org/10.1017/9781108683920.007
Salzman, Paul. 1985. English Prose Fiction, 1558-1700. Oxford: Oxford UP.
Sidney, Sir Philip. 1590. The Countess of Pembrokes Arcadia, written by Sir Philippe Sidnei. London, Printed by Iohn Windet for William Ponsonbie.
The Term Catalogues, 1668-1709, With a Number for Easter Term, 1711 A.D. A Contemporary Bibliography of English Literature in the Reigns of Charles II, James II, William and Mary, and Anne. Volumes 1-3. London: Edward Arber, 1903, 1905, 1906.
Watt, Adam, ed. 2021. The Cambridge History of the Novel in French. Cambridge: Cambridge UP. https://doi.org/10.1017/9781108683920
Watt, Ian. 1957. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. London: Chatto & Windus.
Zurcher, Amelia A. 2007. Seventeenth-Century English Romance: Allegory, Ethics, and Politics. New York: Palgrave Macmillan. https://doi.org/10.1057/9780230605138
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Sonia Villegas López

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.



