Postmodernism and the ontological dominant: the poetics of integration in Peter Ackroyd's The House of Doctor Dee
Keywords:Literatura inglesa, Novela, Posmodernismo, Ackroyd, Peter, The House of Doctor Dee
AbstractThis article proposes an analysis of Peter Ackroyd's The House of Doctor Dee (1993) in the light of two different dichotomies: Brian McHale's epistemological (cognitive) / ontological (postcognitive) dominant and John Vernon's garden / map dynamics. The House of Doctor Dee is constructed around a series of strategies closely related to the postcognitive worldview, strategies which have come to be associated with postmodernist aesthetics and which can as well be regarded as confirming and developing ideas and devices already present in previous works by the same author. Significantly, the techniques in what McHale calls the postmodernist repertoire can be said to be based on the same integrative principle that rules Vernon's garden, the latter being an image of wholeness which stands in direct opposition to the splitting rationale of the map. Vernon's dynamics of integration, together with McHale's ontological structures, become in my analysis the key to understanding Ackroyd's novel, while simultaneously suggesting an interesting perspective from which to approach postmodernist literature as a whole.
FundingThe research carried out for the writing of this paper has been financed by the Spanish Ministry of Education and Science, PB97-1022.
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How to Cite
Martínez Alfaro, María Jesús. 1999. “Postmodernism and the Ontological Dominant: The Poetics of Integration in Peter Ackroyd’s The House of Doctor Dee”. Alicante Journal of English Studies / Revista Alicantina De Estudios Ingleses, no. 12 (November):105-16. https://doi.org/10.14198/raei.1999.12.08.
Copyright (c) 1999 María Jesús Martínez Alfaro
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